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:::ÇöÀçÀ§Ä¡ HOME ¢º 7. À½Çâ¹Í¼­ (ÄܼÖ) ¢º MIDAS ¢º M ½Ã¸®Áî ¢º ¸¶ÀÌ´Ù½º M32R LIVE ÄÜ¼Ö Á¤Ç° 32ÀÔ·Â µðÁöÅÐ ¹Í¼­ / MIDAS ¸¶ÀÌ´Ù½º
    
 
 
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MIDAS ¸¶ÀÌ´Ù½º 32ä³Î µðÁöÅйͼ­ M32R LIVE


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¤ýLive performance and studio recording digital console with up to 40 simultaneous input channels
¤ý16 award-winning MIDAS PRO microphone preamplifiers
¤ý25 time-aligned and phase-coherent mix buses
¤ýAES50 networking allows up to 96 inputs and 96 outputs
¤ýOpen architecture allows for future 96 kHz operation (XLR)
¤ý192 kHz ADC and DAC converters for outstanding audio performance
¤ýIndustry-leading design by Bentley* Motors Designer
¤ýHigh-performance aluminium and high-impact steel structure
¤ýRack mount brackets included for ultimate flexibility
¤ý40 bit floating point digital signal processing
¤ý8 DCA and 6 mute groups
¤ý8 digital signal processing effects engines
¤ý17 MIDAS PRO motorised 100 mm faders
 
¤ýDaylight viewable 5" full colour TFT display screen
¤ý32 x 32 channel USB 2.0 audio interface
¤ýDAW remote control emulations of Mackie Control* and HUI* protocols
¤ýOptional wireless remote control with MIDAS Apps for iPhone* and iPad*
¤ýAuto-ranging universal switch-mode power supply
¤ý3-Year Warranty Program**
¤ýDesigned and engineered in England
 
  

MIDAS is the Epitome of Excellence

 
In 2013, MIDAS approached me to create a new design language for MIDAS and with it a new mixing console. Having designed for Bentley, I am intimately familiar with the challenge of transforming a brand while retaining the precious heritage – in this case the 40 year old iconic British mixing console brand MIDAS.
 
Representing the pinnacle of its industry, MIDAS is the Epitome of Excellence. When it comes to ergonomics, performance and style, the aspects of a high-performance luxury car equally apply to a high-end mixing console. I was given a blank sheet of paper for my choice of materials. This meant considering lightweight materials such as top-grade aluminium, while using a sophisticated steel construction, for high-impact structural areas.
 
High attention was paid to the tactile elements such as fader knobs and the illumination to work under all background conditions.From the onset the idea was to break the mould! Hence the form study deliberately tried to break away from the static, bulky feel of today's mixing consoles. Instead making it more dynamic, ergonomic, yet luxurious. Colours, size, mobility and hardware were given equal importance to arrive at the M32R - a true projection of the brand, today.
-Designer - Rajesh Kutty (Bently ¼ö¼®µðÀÚÀ̳Ê) ÀÎÅͺä Áß¿¡¼­ -

 
 

Industry-Leading 192 kHz Precision

The groundbreaking M32R console combines legendary MIDAS sound quality with advanced digital technology, future-proof 96 kHz capable open architecture design and industry-leading 192 kHz ADC and DAC converters, creating a revolutionary mid-format live console. M32R features ultra-sleek styling, offering you a truly luxurious mixing experience. High-end construction materials provide unparalleled durability and strength, plus substantially lower weight than comparable consoles.The M32R utilises award-winning MIDAS PRO Series microphone preamplifiers and the custom-designed MIDAS PRO motorised faders that are rated for 1 million life cycles-three times more than other leading consoles.The MIDAS M32R is a future-forward console that completely raises the bar for live mixing.
 

Legendary MIDAS Sound Quality

While the MIDAS M32R design, styling, and construction will surely turn a lot of heads, it¡¯s the sound that matters most to engineers and performing artists. And that¡¯s where M32R shines even brighter – as the latest in a long line of pristine-sounding MIDAS consoles, it descends from a celebrated lineage that literally set the standard in electrical design and sound quality. Ever since MIDAS consoles first found fame 40 years ago with acts like Billy Joel, Yes, The Beach Boys, Pink Floyd and others, the MIDAS legacy has always been about uncompromising quality and the ultimate in sound reproduction.
 
Backing the analogue input section are audiophile Cirrus Logic multi-channel 192 kHz capable A/D converters, which boast a 114 dB dynamic range, ensuring impressively low distortion and low noise performance.
 

Built for Tomorrow

The M32R is a console built for today, and tomorrow – its future-proof 96 kHz capable open architecture design and industry-leading 192 kHz 24 bit ADC and DAC converters provide outstanding state-of-the-art audio performance.
 
 

Award-Winning MIDAS Mic Preamplifier

The MIDAS mic preamp is considered by leading live sound and recording engineers to be the very essence of the famous MIDAS sound. More than 40 years of design experience paired with the fi nest choice of premium-grade components lead to the acclaimed warmth and depth, bring out subtle ambience, maintain spatial positioning, and more effectively capture a precise image. The acclaimed sound of the award-winning MIDAS microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic landscapes that have captivated audiences worldwide.
 
 

Your "Mind-to-Sound" Interface

M32´Â âÀǷ°ú ÇÁ·Î´ö¼ÇÀÇ ±³Â÷Á¡À» ÀÌ·ç´Â ¡®Mind-to-Sound¡¯ ÀÎÅÍÆäÀ̽º¸¦ °®Ãè½À´Ï´Ù. µðÁöÅÐ ¹Í¼­¿¡ Àͼ÷ÇÏµç ±×·¸Áö ¾Êµç, M32ÀÇ Á÷°üÀûÀÎ À¯Àú ÀÎÅÍÆäÀ̽º´Â Áý¿¡¼­ Æí¾ÈÇÏ°Ô ¸¸Áö´Â °Í°ú °°Àº À¯¿¬ÇÑ ¹Í½º ȯ°æÀ» Á¦°øÇÕ´Ï´Ù. óÀ½ »ç¿ëÇÏ´Â ¼ø°£ºÎÅÍ ³­°ü¿¡ ºÎµúÄ¡°Å³ª ½Ç¼öÇÏÁö ¾Ê°í, ÁÖÀúÇÒ ÇÊ¿ä°¡ ¾ø´Â Æí¾ÈÇÑ ¿öÅ©Ç÷ο찡 Á¦°øµÉ °ÍÀÔ´Ï´Ù.
 
 

What Makes the M32R Possible is
  - Everything

Whether you come from an analogue mixing background, or are accustomed to using other digital consoles, your first experience with M32R has been engineered to be intuitive, fluid and straightforward.
 
The brilliance of the M32R is its simplicity and workflow. Tactile controls allow smooth adjustments to critical elements as the mix progresses while the TFT screen keeps you informed every step of the way. This integration of tactile controls, motorised faders and the array of LCD and TFT displays makes the M32R experience the premiere solution for Live Sound, Broadcast, Studio Recording and Post Production applications.
 
M32R changes the game by completely rethinking what is possible in a digital mixer. An intuitive workflow coupled with a fully interactive user interface ensures immediate familiarity and instills confidence. Advanced engineering and meticulous design deliver stellar sonic performance at an extremely affordable price – changing the game entirely.
 

 

Elements of Flow

Channel Strip

M32 ä³Î ½ºÆ®¸³Àº ´ëºÎºÐÀÇ Áß¿äÇÑ Ã¤³Î ÆĶó¹ÌÅ͸¦ ÀÛ¾÷ ÁßÀΠä³Î¿¡ »ó°ü¾øÀÌ Ç×»ó µ¿ÀÏÇÑ ÇüÅ·ΠÇϳªÀÇ ¼½¼Ç¿¡¼­ Á¶Á¤ÇÏ°í, ÄÁÆ®·ÑÇÒ ¼ö ÀÖ½À´Ï´Ù.
 

5ÀÎÄ¡ ¸ÞÀÎ µð½ºÇ÷¹ÀÌ

M32RÀÇ 5ÀÎÄ¡ Ä÷¯ TFT µð½ºÇ÷¹ÀÌ¿¡¼­´Â ÄÁÆ®·Ñ¿¡ ÇÊ¿ä·Î ÇÏ´Â ¼³Á¤ ÆĶó¹ÌÅ͸¦ º¸¿©ÁÝ´Ï´Ù.
 

Sends On Fader

Sends on Fader ±â´ÉÀ» »ç¿ëÇϸé, Aux¿Í Ãâ·Â ¹ö½º¸¦ ¹Í½ºÇÒ ¼ö ÀÖ¾î µðÁöÅÐ ¹Í½ÌÀ» º¸´Ù Æí¸®ÇÏ°Ô ÇÒ ¼ö ÀÖ½À´Ï´Ù.
 

DCA ±×·ì

DCA (Digitally Controlled Amplifier) ±×·ìÀ» »ç¿ëÇÏ¿© ¿©·¯ °³ÀÇ ½ÅÈ£¸¦ ¼­ºê±×·ì ¹ö½º¸¦ ÅëÇØ ¹Í½ºÇÏÁö ¾Ê°í ÄÁÆ®·ÑÇÒ ¼ö ÀÖ½À´Ï´Ù.
 

View ±â´É

M32RÀÇ ÀüüÀûÀÎ ±¸¼ºÀ» »ìÆ캸¸é ´Ù¾çÇÑ ±â´ÉÀ» °¡Áø 9 °¡ÁöÀÇ ºä ¹öÆ°À» ãÀ» ¼ö ÀÖ½À´Ï´Ù. ÀÌ ¹öÆ°À» »ç¿ëÇÏ¿© ƯÁ¤ ±â´É¿¡ ÇØ´çÇÏ´Â Á¤º¸¸¦ ¹Ù·Î Ç¥½ÃÇÒ ¼ö ÀÖ½À´Ï´Ù.
 

¾î»çÀÎ ¼½¼Ç

M32RÀÇ ¾î»çÀÎ ¼½¼Ç¿¡¼­´Â 3 °³ÀÇ °³º° ·¹À̾ ÇØ´çÇÏ´Â ÃÑ 36 °³ ÀüüÀÇ ÄÁÆ®·ÑÀ» °³ÀÎÀÌ ÁöÁ¤ÇÒ ¼ö ÀÖ´Â »õ·Î¿î Ç¥ÁØÀ» Á¦½ÃÇÕ´Ï´Ù.
 

¡°Acoustic Integration¡± – ¶óÀÌºê »ç¿îµåÀÇ Çõ¸í

M32RÀÇ ULTRANET ¹ö½º¸¦ »ç¿ëÇÏ¿© TURBOSOUND iQ ½ºÇÇÄ¿ ¾î·¹ÀÌ¿¡ Á¤±³ÇÑ µðÁöÅÐ ¿Àµð¿À ½ÅÈ£¸¦ ÃÖ´ë 16 ä³Î±îÁö streamingÀ¸·Î º¸³¾ ¼ö ÀÖ½À´Ï´Ù.
 

Àüä³Î/¹ö½º EQ¿¡ Àû¿ëÇÒ ¼ö ÀÖ´Â 100-Band RTA

Bar ¹× Spectrograph º¸±â¸¦ Áö¿øÇÏ´Â °íÇØ»óµµ 100-band ¸®¾óŸÀÓ ¾Æ³¯¶óÀÌÀú(RTA)°¡ Æ÷ÇԵǾî ÀÖ½À´Ï´Ù.
 

True Physical Modeling¿¡ ±â¹ÝÀ» µÐ 16 Á¾ÀÇ ±ô¦ ³î¶ö FX Ç÷¯±×ÀÎ

M32R¿¡´Â 16 Á¾·ùÀÇ FX Ç÷¯±×ÀÎÀÌ Ãß°¡ÀûÀ¸·Î Á¦°øµÇ¸ç, ¼ö õ ¸¸¿øÀÇ Çϵå¿þ¾î¿¡ ÇØ´çÇÏ´Â ÃÑ 50 Á¾·ù ÀÌ»óÀÇ ÀÌÆåÆ®¸¦ »ç¿ëÇÒ ¼ö ÀÖ½À´Ï´Ù.
 

FOH ¹× ¸ð´ÏÅ͸µÀ» À§ÇÑ °ÔÀÎ ½ºÇø´°ú ¸®¸ðÆ® ÄÁÆ®·Ñ

»õ·Î¿î °ÔÀÎ ½ºÇø´ ¸ðµå¸¦ ÅëÇØ Çìµå ¾ÚÇÁ °ÔÀο¡¼­ ä³Î °ÔÀÎÀ» ºÐ¸®ÇØ ³¾ ¼ö ÀÖÀ¸¸ç, FOH ¶Ç´Â ¸ð´ÏÅÍ ¿£Áö´Ï¾î´Â µ¿½Ã¿¡ ÇØ´çÇÏ´Â À§Ä¡¿¡¼­ µ¶¸³ÀûÀ¸·Î ÇÁ¸®¾ÚÇÁÀÇ °ÔÀÎÀ» µðÁöÅзΠÄÁÆ®·ÑÇÒ ¼ö ÀÖ½À´Ï´Ù. ¿ÜºÎ ÄܼÖÀ» »ç¿ëÇÏ¿© ¿ø°ÝÀ¸·Îµµ ÄÁÆ®·ÑÇÒ ¼ö ÀÖ½À´Ï´Ù.
 

Scene°ú Show °ü¸®¸¦ À§ÇÑ °­·ÂÇÑ »õ µµ±¸

Show°¡ ÁøÇàµÇ´Â µ¿¾È SceneÀ» ºÒ·¯¿À°í ¼­·Î ´Ù¸¥ ƯÁ¤ Æ÷ÀÎÆ®¸¦ ·ÎµùÇÏ¿© ¿ÀÅä¸ÞÀ̼ÇÇÒ ¼ö ÀÖ´Â Çõ½ÅÀûÀÎ ¹æ¹ýÀÇ Cue·Î 500 °³ÀÇ Cue ¿£Æ®¸®¿¡´Â 100 °³ÀÇ SceneÁß Çϳª¸¦ ºÒ·¯¿À°Å³ª µ¿½Ã ¶Ç´Â °³º°ÀûÀ¸·Î ƯÁ¤ Æ÷ÀÎÆ®¸¦ ºÒ·¯¿Ã ¼ö ÀÖ½À´Ï´Ù.
 
 

100¸¸È¸ÀÌ»ó »ç¿ë °¡´ÉÇÑ MIDAS PRO FADER

MIDASÀÇ PRO FADER´Â ¼¼°è¿¡¼­ °¡Àå ½Å·ÚÇÒ ¼ö ÀÖ´Â Àüµ¿ÆäÀÌ´õ ÀÔ´Ï´Ù. MIDAS PRO FADER´Â Ç×»ó ÃÖ°í±Þ ¼ÒÀ縦 ¼±ÅÃÇÏ°í, ÀÏ°üµÈ ¼ºÇü Ç°ÁúÀ» º¸ÀåÇϱâ À§ÇÑ °úÁ¤À» Á¶Á¤ÇÏ¿´À¸¸ç, ¹ß¿­¿¡ ÀÇÇØ µÚƲ¸²°ú º¯ÇüÀÌ µÇÁö ¾Êµµ·Ï ³Ã°¢µµ °í·ÁÇÏ°í ÀÖ½À´Ï´Ù. MIDAS´Â MIDAS PRO FADER¸¦ ¸¸µé¾î³»±â±îÁö ¾ÆÁÖ ¸¹Àº ½Ã°£À» ÅõÀÚÇÏ¿´½À´Ï´Ù. °á°ú´Â »ç¿ëÀÚ°¡ ¸»ÇØÁÙ °ÍÀÔ´Ï´Ù. MIDAS PRO FADERS´Â 1,000,000 »çÀÌŬ ÀÌ»óÀ» »ç¿ëÇÒ ¼ö ÀÖ½À´Ï´Ù. ÀÌ°ÍÀº ´Ù¸¥ Á¦Á¶»çÀÇ 3¹è ¼öÁØ¿¡ ´ÞÇÏ´Â °á°úÀÔ´Ï´Ù.
 

LCD Scribble Strips

ÃÑ 17 °³ÀÇ ÇÁ·Î±×·¥ÀÌ °¡´ÉÇÑ LCD ½ºÅ©¸®ºí ½ºÆ®¸³Àº ÄÁÆ®·Ñ Àåºñ¸¦ ÅëÇؼ­ ¹Ì·¯ Çü½ÄÀ¸·Î ä³Î/¹ö½º·Î ½Äº°µË´Ï´Ù. ÀÔ·Â/Ãâ·Â ű׸¦ ÀÔ·ÂÇÏ°í Ãß°¡ÀûÀ¸·Î ÇÑ ´«¿¡ ¾Ë±â ½±°Ô ¾ÆÀÌÄÜÀ» Ãß°¡ÇÒ ¼ö ÀÖ½À´Ï´Ù. ±×·± ´ÙÀ½ Ä÷¯¸¦ Àû¿ëÇÏ¿©, ½Ã°¢ÀûÀ¸·Î ¾î¶°ÇÑ ±×·ì¿¡¼­ »ç¿ëÇÏ°í ÀÖ´ÂÁö ¾Ë ¼ö ÀÖÀ¸¸ç, ÀԷµµ µ¿ÀÏÇÑ ¹æ¹ýÀ¸·Î °ð¹Ù·Î ¾Ë¾ÆÂ÷¸± ¼ö ÀÖ½À´Ï´Ù. °£´ÜÇÏ°í, ¿ì¾ÆÇÏ¸ç ¾ÆÁÖ È¿°úÀûÀÔ´Ï´Ù. Ãß°¡ÀûÀ¸·Î ´Ù½Ã´Â ¸¶½ºÅ· Å×ÀÌÇÁ¸¦ »ç¿ëÇÒ Àϵµ ¾ø¾îÁö°Ô µË´Ï´Ù.
 

¹öÃò¾ó ÀÌÆåÆ® ·¢

 
M32R includes an extensive array of onboard effects, rendering outboard processing racks a thing of the past. The Virtual FX rack features 8 true-stereo, studio-grade effects engines each assignable to any input, group or output mix bus. Choose from high-end FX modules including a range of reverbs, delays, EQs, dynamics and much more.
 
Each FX algorithm has been completely re-imagined for stunning performance – typically costing several times the price of the M32R.
 
 

LA COMPRESSOR

 

ULTIMO COMPRESSOR

Teletronix»çÀÇ LA-2A ·¹º§¸µ ¾ÚÇÁ°¡ Á¦°øÇÏ´Â ¿Ïº®ÇÑ Áø°ø°ü ½ÅÈ£ °æ·Î´Â ÃÖ»óÀÇ ¸í·áµµ¿Í dz¼ºÇÏ°í µû¶æÇÑ ÄÄÇÁ·¹¼ÇÀ» Á¦°øÇÔÀ¸·Î½á Áö³­ ¼ö½Ê ³â°£ ¼ö ¸¹Àº ¾Ù¹ü¿¡¼­ »ç¿ëµÇ¾ú½À´Ï´Ù. ¿ïÆ®¶ó ½º¹«½º ¿ÉƼÄà ¾îÅ×´º¿¡ÀÌÅÍ´Â MIDASÀÇ LA COMPRESSOR¸¦ ÅëÇØ °¡Àå À¯»çÇÏ°Ô ¸ðµ¨¸µµÇ¾ú½À´Ï´Ù. ¹Ìdz°ú °°Àº ´À³¦, ÀÚ¿¬½º·´°í ½±°Ô À½¾ÇÀûÀÎ ÄÄÇÁ·¹¼ÇÀ» Á¦°øÇÕ´Ï´Ù. (Teletronix LA-2A¸¦ ±â¹ÝÀ¸·Î Á¦ÀÛ)Urei »ç´Â 60³â ÈÄ¹Ý 1176LN ¸®¹ÌÆà ¾ÚÇÁ¸¦ Ãâ½ÃÇÏ¿´À¸¸ç, »õ·Î¿î ¿ª»ç¸¦ ¾²°Ô µË´Ï´Ù. Àü°è È¿°ú Æ®·£Áö½ºÅÍ(Field Effect Transistor)°¡ °³¹ßµÈ ÈÄ, 1176Àº »õ·Î¿î ±â¼úÀÌ Àû¿ëµÈ ÃÖÃÊÀÇ ¿Àµð¿À ÇÁ·Î¼¼¼­ Áß Çϳª°¡ µÇ¾ú½À´Ï´Ù. MIDAS´Â µðÁöÅÐÀ» ÅëÇØ ULTIMO COMPRESSOR·Î ȯ»ý½ÃÄ×À¸¸ç, Rev. E ¸ðµ¨À» ±â¹ÝÀ¸·Î ÇÏ¿´½À´Ï´Ù. ¿À¸®Áö³Î Class-A Ãâ·Â´ÜÀÌ Á¦°øÇÏ´Â ºÎµå·¯¿î Ư¼ºÀ» È®½ÇÇÏ°Ô µÇ»ì·ÈÀ¸¸ç, FETÀÇ Àü¼³ÀûÀÎ ÆнºÆ® ¾îÅõµ »ç¿ëÇÒ ¼ö ÀÖ½À´Ï´Ù. (Urei 1176LN ¸¦ ±â¹ÝÀ¸·Î Á¦ÀÛ)
 
 

XTEC EQ1

 

XTEC EQ5

XTEC EQ1Àº ´©°¡ ¹¹·¡µµ ½ºÆ©µð¿À ÃÖ°íÀÇ Æнúê ÀÌÄ÷¶óÀÌÀú Áß ÇϳªÀÔ´Ï´Ù. È®½ÇÇÑ ¼³¸íÀ» ÇÒ ¼ö´Â ¾øÁö¸¸, ·¹ÄÚµù ¿£Áö´Ï¾î´Â Pultec EQP-1À» ¿Ã·Á »ç¿îµå ¼Ò½º¿¡ ºñ¹Ð½º·¯¿òÀ» ´õÇÕ´Ï´Ù. MIDAS´Â ÀÌ °ú°Å ¸í±âÀÇ ÇÙ½ÉÀ» ºÐ¼®ÇØ ³»°í, ¼¶¼¼ÇÏ°Ô °øµéÀÌ°í °øµé¿© ½ÇÁ¦¿¡ °¡±î¿î ÇÇÁöÄÃÇÑ ¸ðµ¨¸µÀ» Àû¿ëÇÏ¿´½À´Ï´Ù. Æ®·£½ºÆ÷¸Ó¿Í Æ©ºê Ãâ·Â´Ü ¸ðµÎ °íÅëÀ» °¨¼öÇϸ鼭 ¿Ïº®ÇÏ°Ô ¸ðµ¨¸µÇÏ¿´½À´Ï´Ù. (Pultec EQP-1aÀ» ±â¹ÝÀ¸·Î Á¦ÀÛ) PultecÀº Æнúê ÀÌÄ÷¶óÀÌÀúÀÇ ¿ª»ç¸¦ ¾´ ȸ»çÀÔ´Ï´Ù. ¿À¸®Áö³Î PultecÀ» ¸ðµç ¸é¿¡¼­ µðÁöÅзΠÀ籸¼ºÇÏ¿´½À´Ï´Ù. ¿ì¸®ÀÇ ÆĶó¸ÞÆ®¸¯ ÀÌÄ÷¶óÀÌÀú XTEC EQ5´Â ÀÌ·¯ÇÑ ´À³¦À» ±×´ë·Î »ì·ÁÁÝ´Ï´Ù. ¿ì¸®ÀÇ µðÁöÅÐ º¹°¢Àº ¿À¸®Áö³Î ¸ðµ¨¿¡ ±â¹ÝÀ» µÎ°í ÀÖÀ¸¸ç, °íÀ¯ÇÑ ºÎÇ°ÀÌ Á¦°øÇÏ´Â ºÎµå·¯¿î Ư¼ºÀ» °¡Àå Á¤È®ÇÏ°Ô ¿¡¹Ä·¹À̼ÇÇÏ¿´½À´Ï´Ù. (Pultec MEQ5¸¦ ±â¹ÝÀ¸·Î Á¦ÀÛ)
 
 

SUB OCTAVER

 

EDISON EX1

»õ·Î¿î SUB OCTAVER´Â Àü¼¼°è¸¦ ±ôÀÛ ³î¶ó°ÔÇÏ°í ÀÖ´Â 2 ä³Î ¼­ºê Çϸð´Ð½º Á¦³Ê·¹ÀÌÅͷμ­ Çϳª ¶Ç´Â 2 °³ÀÇ ¿ÁŸºê¸¦ ÀÔ·Â ½ÅÈ£ ÈÄ´Ü¿¡ Ãß°¡ÇÒ ¼ö ÀÖ½À´Ï´Ù. ¿ø·¡´Â º£À̽º Ç÷¹À̾ À§ÇØ ¼³°èµÇ¾úÁö¸¸, °í¿ª, Áß¿ª ¹× Àú¿ª ÁÖÆļö¿¡ ¸ÂÃç ´Ù¾çÇÑ È¯°æ¿¡¼­ ÀÌÆåÆ®¸¦ Àû¿ëÇÒ ¼ö ÀÖ½À´Ï´Ù. ºñÆ®¹Ú½Ì ¼¼°è¿¡¼­ ºñ¹Ð¹«±â°¡ µÉ °ÍÀÔ´Ï´Ù. EDISON EX1Àº MIDASÀÇ ¾Æ³¯·Î±× Àåºñ¸¦ º¹°¢ÇÏ¿´½À´Ï´Ù. ½ºÅ×·¹¿À Çʵ忡 ¾ÆÁÖ È¿°úÀûÀ¸·Î Àû¿ëÇÒ ¼ö ÀÖ´Â ÅøÀÔ´Ï´Ù. M/S ÀÔÃâ·Â ¸ðµå¸¦ ¼±ÅÃÇÏ¿© ÇÁ·Î¼¼½ÌÇϰųª ·¹ÄÚµùµÈ »ç¿îµå ¼Ò½º¿¡ M/S¸¦ ¸¸µé¾î »ç¿ëÇÒ ¼ö ÀÖ½À´Ï´Ù. (BEHRINGER EDISONÀ» ±â¹ÝÀ¸·Î Á¦ÀÛ)
 
 

SOUND MAXIMIZER

 

DIMENSIONAL CHORUS

SOUND MAXIMIZER´Â ÀÚ¿¬½º·´°Ô È­»çÇÑ ¼Ò¸®¸¦ ¸¸µé°í, À§»óÀ̳ª ¾ÚÇÁ Á¶Á¤À» °ÅÄ¡ ¾î¶°ÇÑ ¿Àµð¿À ½ÅÈ£¿¡ ¸í·áµµ¸¦ ´õÇÔÀ¸·Î¼­ »ç¿îµå¸¦ °¡Àå ÀÚ¿¬½º·´°Ô ¸¸µé¾îÁÝ´Ï´Ù. ÀϺΠÀÌÆåÆ® ¹× ÀÌÄ÷¶óÀÌÀú¿Í »ç¿ëÇÏ¿© È÷µç ¼Ò½º¸¦ ¸¸µé¾î ³»±âµµ ÇÕ´Ï´Ù. (Sonic Maximizer 482i¸¦ ±â¹ÝÀ¸·Î Á¦ÀÛ)+ DIMENSIONAL CHORUS´Â Áö±Ý±îÁö ¸¸µé¾îÁø ÃÖ°íÀÇ ¾Æ³¯·Î±× ÄÚ·¯½º¸¦ ¿Ïº®ÇÏ°Ô ¿¡¹Ä·¹ÀÌ¼Ç ÇÏ¿´½À´Ï´Ù. 4 °¡ÁöÀÇ °£´ÜÇÑ ¸ðµå ÇÁ¸®¼Â ¹öÆ°À» »ç¿ëÇØ °ø°£°ú Â÷¿øÀÌ¶ó ¼³¸íÇÒ ¼ö ÀÕ´Â ³î¶ó¿î ÀÌÆåÆ®¸¦ ¸¸µé¾î³À´Ï´Ù. ¿À¸®Áö³Î°ú µ¿ÀÏÇÏ°Ô ¸¸µé±â À§ÇØ ³ë·ÂÇÏ¿´À¸¸ç, µ¿½Ã¿¡ ¿©·¯ °³¸¦ ´©¸¦ ¼ö ÀÖ´Â ¸ÖƼ ÇÁ¸®¼Âµµ Á¦°øÇÕ´Ï´Ù. (Roland Dimension D Chorus¸¦ ±â¹ÝÀ¸·Î Á¦ÀÛ)
 
 

MODULATION DELAY

 

DIGITAL REVERB

MODULATION DELAY´Â °¡Àå ¸¹ÀÌ »ç¿ëµÇ´Â 3°¡ÁöÀÇ Å¸ÀÓ ¸ðµâ·¹ÀÌ¼Ç ÀÌÆåÆ®¸¦ ÇϳªÀÇ °£ÆíÇÑ »ç¿ëÀÌ °¡´ÉÇÑ À¯´Ö¿¡ ´ã¾Ò½À´Ï´Ù. dz¼ºÇÑ Æ®·ç ½ºÅ×·¹¿À µô·¹ÀÌ¿Í Æ¯¼öÇÑ ÄÚ·¯½º, 3 °¡Áö ¸®¹öºê ¸ðµ¨À» ÇÔ²² ¼±ÅÃÇÏ¿© »ç¿ëÇÒ ¼ö ÀÖ½À´Ï´Ù. Lexicon 480LÀº µðÁöÅÐ ¸®¹öºêÀÇ Ç¥ÁØÀ¸·Î ÀÎÁ¤¹Þ°í ÀÖ½À´Ï´Ù. MIDAS´Â Rich Plate, Room ¹× Rich Chamber¿¡ ÇØ´çÇÏ´Â 3 °¡Áö ÃÖ°í±Þ ¸®¹öºê ¸ðµ¨À» Ãß°¡ÇÏ¿´½À´Ï´Ù. M32ÀÇ ¸ðµ¨µéÀº MIDASÀÇ Æ®·ç ÇÇÁöÄà ¸ðµ¨¸µ¿¡ ±â¹ÝÇÏ¿© ¸ðµç ´µ¾Ó½º±îÁöµµ Á¤È®ÇÏ°Ô Ä¸Ãç µÇÀ¸¸ç, ¾Ë°í¸®ÁòÀº °³º° À¯´ÖÀÇ AD/DA °ÔÀÎ ½ºÅÜ ÄÁ¹öÅ͸¦ Àû¿ëÇÏ¿´½À´Ï´Ù. °á°úÀûÀ¸·Î ¾Æ³¯·Î±× ¹× µðÁöÅРȸ·Î °æ·Î Àüü¿¡¼­ ÃÖ°íÀÇ ¼¶¼¼ÇÔÀ» Á¦°øÇÏ°Ô µË´Ï´Ù. (Lexicon 480LÀ» ±âÁØÀ¸·Î Á¦ÀÛ)
 
 

EXCITERS & ENHANCERS

 

TruEQ STEREO GEQ

EXCITERS´Â ¶óÀÌºê »ç¿îµå¿¡¼­ Á¸Àç°¨°ú ¸í·áÇÔÀ» »ì¸®¸ç, ·¹ÄÚµù ½ºÆ©µð¿À¿¡¼­´Â ¸í·áµµ¸¦ ´õÇÏ°í, °í¿ª´ë¸¦ ½Ã¿øÇÏ°Ô ÇÏ°í ¹èÀ½À» Ãß°¡ÇÏ´Â ¿ªÇÒÀ» ÇÕ´Ï´Ù. ENHANCERS´Â ¼±ÅÃµÈ ÁÖÆļöÀÇ °í¿ª, Áß¿ª ¹× Àú¿ªÀ» °­Á¶½ÃÅ°´Â ¿ªÇÒÀ» ÇÕ´Ï´Ù. ÀüüÀûÀÎ º¼·ýÀ» ³ôÀÌÁö ¾Ê°í °­·ÂÇÑ ÆÝÄ¡°¨À» ¸¸µé°í, ¸í·áµµ¿Í ¼¶¼¼ÇÔÀ» ¸¸µé¾î ³¾ ¼ö ÀÖ½À´Ï´Ù. (Aphex Aural Exciter ¹× SPL Vitalizer¸¦ ±âÁØÀ¸·Î Á¦ÀÛ) MIDASÀÇ TruEQ STEREO GEQ´Â À½¾ÇÀûÀÎ ¿ä¼Ò¸¦ Á¦°øÇϸç, ½Ã±×³Î ÇÁ·Î¼¼½Ì¿¡¼­ ÀÀ´ä¼ºÀÌ º¸´Ù °­ÇØ ·ë ÀϹÝÀûÀÎ ·ë ÀÌÄ÷¶óÀÌÀú ȯ°æ¿¡¼­ ¿Ïº®ÇÏ°Ô »ç¿ëÇÒ ¼ö ÀÖ¾î, ¸ð´ÏÅ͸µ ȯ°æ¿¡¼­´Â ¹Ýµå½Ã ÇÊ¿äÇÕ´Ï´Ù. M32RÀº ÃÖ´ë 16 °³ÀÇ ¸ð³ë ±×·¡ÇÈ EQ¸¦ Á¦°øÇϸç, Ãß°¡ÀûÀ¸·Î ¸ÖƼ¹êµå ÆĶó¸ÞÆ®¸¯ EQ¸¦ ¸ðµç ä³Î°ú ¹ö½º¿¡¼­ »ç¿ëÇÒ ¼ö ÀÖ¾î, ±î´Ù·Î¿î ½ºÅ×ÀÌÁö ¸ð´ÏÅ͸µ ȯ°æ¿¡¼­µµ ¿Ïº®ÇÏ°Ô ´ëóÇÒ ¼ö ÀÖ½À´Ï´Ù. Ãß°¡ÀûÀ¸·Î M32ÀÇ ¸ðÅÍ ÆäÀÌ´õ´Â ±×·¡ÇÈ EQÀÇ ÇÊÅÍ ¹êµå·Î ½ºÀ§Ä¡ÇÏ¿© ÄÁÆ®·ÑÇÒ ¼ö ÀÖÀ¸¸ç, ±×¿¡ µû¶ó¼­ ä³Î LCD´Â ÇØ´çÇÏ´Â ÇÊÅÍÀÇ ÁÖÆļö¸¦ º¸¿©ÁÖ°Ô µË´Ï´Ù. ¶ÇÇÑ ÇÖ Å°·Î »ç¿ëÀÚ°¡ ÁöÁ¤Çϸé, °ð¹Ù·Î ºÒ·¯¿Ã ¼öµµ ÀÖ½À´Ï´Ù. (KLARK TEKNIK DN360À» ±âÁØÀ¸·Î Á¦ÀÛ)
 
 

VINTAGE ROOM

 

PLATE REVERB

¸®¹öºê »ç¿ë °èȹ¿¡¼­ VINTAGE ROOMÀ» Àû¿ëÇÏ¿© ÀüüÀûÀÎ »ç¿îµå¿Í ·ëÀÇ ÀÜÇâ¿¡ ´ëÇØ Ãæ½ÇÇÑ ¸öÅëÀÇ ¿ªÇÒÀ» ÇÒ ¼ö ÀÖµµ·Ï ÇÕ´Ï´Ù. 80³â´ë ÃÊ ÄÁº¼·ç¼ÇÀÌ ¸¸µé¾îÁö±â ÀÌÀü¿¡ ¸®¹öºê ¾Ë°í¸®Áò¿¡ ´ëÇÑ Á¤È®ÇÑ ·ë Ư¼º¿¡ ´ëÇÑ ·Ñ ¸ðµ¨ÀÌ °³¹ßµÇ¾úÀ¸¸ç, À̸¦ ±â¹ÝÀ¸·Î µ¿ÀÛÇÕ´Ï´Ù. ¹Í½º ¶Ç´Â ¼­ºê±×·ì¿¡ ¸®¹öºê¸¦ Àû¿ëÇÏ¿© º¹ÀâÇÑ ½ÅÈ£¿¡ °ø°£°¨À» ´õÇÒ ¼ö ÀÖÀ¸¸ç, ÀÌ ¹æ½ÄÀº ÀϹÝÀûÀΠŬ·¡½Ä À½¾Ç°ú ¹æ¼Û ȯ°æ¿¡¼­´Â ³ôÀº È¿À²¼ºÀ» Á¦°øÇÕ´Ï´Ù. (Quantec QRSÀ» ±âÁØÀ¸·Î Á¦ÀÛ) PLATE REVERB´Â ´ïÇÎ Æеå, ¸ðµâ·¹À̼ÇÀÇ ±íÀÌ¿Í ¼Óµµ ±×¸®°í Å©·Î½º¿À¹ö¿¡ ´ëÇÑ Àü¹ÝÀûÀÎ ÄÁÆ®·ÑÀ» Àû¿ëÇÑ Ç÷¹ÀÌÆ® ¸®¹öºê è¹öÀÇ Æ¯¼ºÀ» ¿¹¹Ä·¹À̼ÇÇÕ´Ï´Ù. PLATE REVERB´Â 1950³â´ë ÈÄ¹Ý ÀÌÈÄ ¼ö ¸¹Àº È÷Æ® À½¹Ý¿¡¼­ Àû¿ëµÇ¾úÀ¸¸ç, ¸¹Àº Æ®·¢¿¡ »ç¿ëµÇ¾ú½À´Ï´Ù. (Lexicon PCM70À» ±âÁØÀ¸·Î Á¦ÀÛ)
 
 

3-TAP DELAY

 

HALL REVERB

M32R¿¡¼­ Á¦°øÇÏ´Â 3-TAP DELAY´Â ÀÔ·Â ½ÅÈ£¸¦ °áÁ¤ÇÑ ÈÄ, ÁöÁ¤µÈ ½Ã°£ÀÇ ±æÀ̸¦ »ç¿ëÀÚ°¡ ÁöÁ¤ÇÏ¿© ¿¡ÄÚ¸¦ ¸¸µé°í, ¹Ýº¹µÇ´Â ¼ýÀÚ¸¦ ÁöÁ¤ÇÏ¿© »ç¿ëÇÏ°Ô µË´Ï´Ù. ½ºÅ×·¹¿À¿Í Æ®¸®Çà µô·¹ÀÌ´Â ÅÂÇΠŸÀÓ°ú ¸µÅ©µÇ°í, À½¾ÇÀûÀÎ ¿¡ÄÚ ÆÐÅÏÀ» ¼±ÅÃÇÒ ¼ö Àֱ⠶§¹®¿¡ ¹«¾ùº¸´Ùµµ À¯¿ëÇÏ°Ô »ç¿ëÇÒ ¼ö ÀÖ½À´Ï´Ù. 3-TAP DELAY¸¦ ÅëÇØ º¸Äðú ¾Ç±â¿¡ dz¼ºÇÔÀ» ´õÇϰųª ¾î¶°ÇÑ ÆÛÆ÷¸Õ½º¿¡¼­µµ °ø°£ÀûÀÎ ¿ä¼Ò¸¦ Áõ°¡½Ãų ¼ö ÀÖ½À´Ï´Ù. HALL REVERB ÀÌÆåÆ®´Â ¸®¹öºê¸¦ º¸´Ù dz¼ºÇÑ ½ºÆåÆ®·³À¸·Î ¸¸µé¸ç, ÀÛÀº ¹æÀ» Å©°Ô ¸¸µé¸ç, µ¿±¼°ú °°Àº È¿°úµµ ¸¸µé¾î ³¾ ¼ö ÀÖ½À´Ï´Ù. ¿À¸®Áö³Î ½ÅÈ£¿¡ ºÎµå·´°Ô ¹Í½ºÇÏ°íÀÚ ÇÒ ¶§, Ȧ ¸®¹öºê´Â º¸´Ù µû¶æÇϸ鼭µµ º¸´Ù ÀÚ¿¬½º·¯¿î ¼Ò¸®¸¦ ¸¸µé¾î ³»´Â ¿ªÇÒµµ ÇÕ´Ï´Ù. (Lexicon 480LÀ» ±âÁØÀ¸·Î Á¦ÀÛ)
 
 

FLANGER & DELAY

 

WAVE DESIGNER

Æí¸®ÇÏ°Ô »ç¿ëÇÒ ¼ö ÀÖ´Â FLANGER & DELAY ¼¼Æ®´Â Ŭ·¡½Ä µô·¹ÀÌ¿¡ Á¦Æ®±â°¡ Áö³ª°¡´Â ¡®¿ì½¬¡¯ ¼Ò¸®¸¦ ´õÇÏ°í, ºÎµå·¯¿ò¿¡¼­ ¾ß»ýÀÇ ¼Ò¸®±îÁö Á¶Á¤ÇÒ ¼ö ÀÖ½À´Ï´Ù. ÀÌ ÄÞºñ³×ÀÌ¼Ç ÀÌÆåÆ®´Â ÇϳªÀÇ FX ½½·ÔÀ» Â÷ÁöÇÕ´Ï´Ù. (Lexicon PCM70À» ±âÁØÀ¸·Î Á¦ÀÛ) WAVE DESIGNER´Â ½ÅÈ£ÀÇ ¾îÅðú ¼­½ºÅ×Àο¡ ÇØ´çÇÏ´Â Æ®·£Áö¾ðÆ®¿Í ´ÙÀ̳ª¹ÍÀ» Á¶Á¤ÇÒ ¼ö ÀÖ´Â ¾ÆÁÖ °­·ÂÇÑ ÅøÀÔ´Ï´Ù. ¹Í½º¿¡¼­ µå·³ »ç¿îµå¿¡ ´Ü´ÜÇÔÀ» ´õÇϰųª º¼·ýÀ» Á¶Á¤ÇÏ±â ¾Ê°í ½½·¦ º£À̽º¸¦ º¸´Ù °­Á¶½Ãų ¼öµµ ÀÖ½À´Ï´Ù. (SPL Transient Designer¸¦ ±âÁØÀ¸·Î Á¦ÀÛ)
 
 

STEREO PRECISION LIMITER

 

DE-ESSER

STEREO PRECISION LIMITER´Â º¼·ýÀÇ ¸®¹ÔÀ» Á¤Çϴµ¥ À־ ¿Ïº®ÇÑ ÅøÀ̸ç, µð½ºÅä¼Ç ¾øÀÌ ÃÖ»óÀÇ ·¹º§À» ¸¸µé ¼ö ÀÖ½À´Ï´Ù. ½ºÅ×·¹¿À °íÁ¤¹Ð ¸®¹ÌÅÍ´Â ¾ÆÁÖ ÀÛÀº ½ÅÈ£¸¦ ºÎ½ºÆ®Çϰųª Ŭ¸®ÇÎÀ» ¹æÁöÇϱâ À§ÇÑ ¸ñÀû¿¡¼­µµ »ç¿ëÇÒ ¼ö ÀÖ½À´Ï´Ù. (Sony Oxford DynamicsÀ» ±âÁØÀ¸·Î Á¦ÀÛ) DE-ESSER´Â º¸Äà ¸¶ÀÌÅ©¿¡¼­ ÀԷµǴ ¸ñ¼Ò¸®ÀÇ À½»öÀ» °¡Àå ÀÚ¿¬½º·´°Ô À¯ÁöÇϸ鼭 Ä¡ÂûÀ½À» Á¦°ÅÇϱâ À§ÇØ ¹Ýµå½Ã ÇÊ¿äÇÑ ÅøÀÔ´Ï´Ù. º¸Äÿ¡¼­ Áß°í¿ª¿¡¼­ °í¿ª ÁÖÆļö¿¡ À̸£±â±îÁö ºÎµå·¯¿òÀ» ´õÇϴµ¥ »ç¿ëµÇ¸ç, µå·³ÀÇ ¿À¹öÇìµå³ª ½ºÆ®¸µ¿¡¼­µµ »ç¿ëÇÒ ¼ö ÀÖ½À´Ï´Ù. (SPL 1239À» ±âÁØÀ¸·Î Á¦ÀÛ)
 
 

ULTIMO COMPRESSOR

 

ULTIMO COMPRESSOR

Teletronix»çÀÇ LA-2A ·¹º§¸µ ¾ÚÇÁ°¡ Á¦°øÇÏ´Â ¿Ïº®ÇÑ Áø°ø°ü ½ÅÈ£ °æ·Î´Â ÃÖ»óÀÇ ¸í·áµµ¿Í dz¼ºÇÏ°í µû¶æÇÑ ÄÄÇÁ·¹¼ÇÀ» Á¦°øÇÔÀ¸·Î½á Áö³­ ¼ö½Ê ³â°£ ¼ö ¸¹Àº ¾Ù¹ü¿¡¼­ »ç¿ëµÇ¾ú½À´Ï´Ù. ¿ïÆ®¶ó ½º¹«½º ¿ÉƼÄà ¾îÅ×´º¿¡ÀÌÅÍ´Â MIDASÀÇ LA COMPRESSOR¸¦ ÅëÇØ °¡Àå À¯»çÇÏ°Ô ¸ðµ¨¸µµÇ¾ú½À´Ï´Ù. ¹Ìdz°ú °°Àº ´À³¦, ÀÚ¿¬½º·´°í ½±°Ô À½¾ÇÀûÀÎ ÄÄÇÁ·¹¼ÇÀ» Á¦°øÇÕ´Ï´Ù. (Teletronix LA-2A¸¦ ±â¹ÝÀ¸·Î Á¦ÀÛ)Urei »ç´Â 60³â ÈÄ¹Ý 1176LN ¸®¹ÌÆà ¾ÚÇÁ¸¦ Ãâ½ÃÇÏ¿´À¸¸ç, »õ·Î¿î ¿ª»ç¸¦ ¾²°Ô µË´Ï´Ù. Àü°è È¿°ú Æ®·£Áö½ºÅÍ(Field Effect Transistor)°¡ °³¹ßµÈ ÈÄ, 1176Àº »õ·Î¿î ±â¼úÀÌ Àû¿ëµÈ ÃÖÃÊÀÇ ¿Àµð¿À ÇÁ·Î¼¼¼­ Áß Çϳª°¡ µÇ¾ú½À´Ï´Ù. MIDAS´Â µðÁöÅÐÀ» ÅëÇØ ULTIMO COMPRESSOR·Î ȯ»ý½ÃÄ×À¸¸ç, Rev. E ¸ðµ¨À» ±â¹ÝÀ¸·Î ÇÏ¿´½À´Ï´Ù. ¿À¸®Áö³Î Class-A Ãâ·Â´ÜÀÌ Á¦°øÇÏ´Â ºÎµå·¯¿î Ư¼ºÀ» È®½ÇÇÏ°Ô µÇ»ì·ÈÀ¸¸ç, FETÀÇ Àü¼³ÀûÀÎ ÆнºÆ® ¾îÅõµ »ç¿ëÇÒ ¼ö ÀÖ½À´Ï´Ù. (Urei 1176LN ¸¦ ±â¹ÝÀ¸·Î Á¦ÀÛ)
 
 

VINTAGE REVERB

 

CHORUS & CHAMBER

Àü¼³ÀÇ EMT250À» ±âÁØÀ¸·Î Á¦ÀÛÇÑ VINTAGE REVERB´Â ºÎµå·´°í ¹àÀº ¸®¹öºê¸¦ ´õÇÏÁö¸¸, ¶óÀ̺ê¿Í ³ìÀ½ Æ®·¢ÀÇ °íÀ¯ÇÑ »ç¿îµå¸¦ ÈåÆ®·¯¶ß¸®Áö ¾Ê½À´Ï´Ù. VINTAGE REVERB´Â ¸í·áµµÀÇ ÀúÇÏ ¾øÀÌ º¸Äðú ½º³×¾î µå·³À» º¸´Ù ¸ÚÁö°Ô ¸¸µé¾î ÁÝ´Ï´Ù. (EMT250 Plate Reverb¸¦ ±âÁØÀ¸·Î Á¦ÀÛ) ÇϳªÀÇ FX ½½·ÔÀ» Â÷ÁöÇÏ´Â CHORUS & CHAMBER ÀÌÆåÆ®´Â ÀϹÝÀûÀΠè¹ö ¸®¹öºêÀÇ ´ÞÄÞÇÑ »ç¿îµå¸¦ ½ºÆ©µð¿À ¼öÁØÀÇ ÄÚ·¯½º¿¡ ´õÇÔÀ¸·Î½á º¸´Ù ¹àÀº Ư¼ºÀÇ »ç¿îµå¿Í »ç¿îµå¸¦ ´õºí¸µÇÏ´Â È¿°ú¸¦ µ¿½Ã¿¡ ¾òÀ» ¼ö ÀÖ½À´Ï´Ù. (Lexicon PCM70À» ±âÁØÀ¸·Î Á¦ÀÛ)
 
 
 

´Ù¾çÇÑ Àåºñ¿ÍÀÇ ¿¬°á

M32RÀº »ç¿ëÀÚ°¡ ÇÊ¿ä·Î ÇÏ´Â ¸ðµç I/O¿Í ±â´ÉÀ» °®Ãß¾úÀ¸¸ç, ¿¬°á¿¡ µû¸¥ ¸ðµç ±â´ÉÀ» ÇϳªÀÇ Á¦Ç°¿¡¼­ ¸ðµÎ Á¦°øÇÕ´Ï´Ù. ÇÏÁö¸¸ ÀÌ°ÍÀÌ ÀüºÎ´Â ¾Æ´Õ´Ï´Ù. DAW¿Í ¿¬°áµÇ´Â ¿Âº¸µå USB 2.0´Â ÃÑ 32x32 ä³ÎÀÇ ¿Àµð¿À¿Í MIDI ±â´ÉÀ» Á¦°øÇÕ´Ï´Ù. ¸ÖƼä³Î µðÁöÅÐ ¿Àµð¿À ÀÎÅÍÆäÀ̽º°¡ ÅëÇյǾî ÀÖ¾î ¸®¸ðÆ® ½ºÅ×ÀÌÁö ¹Ú½º ¶Ç´Â P16 ÆÛ½º³Î ¸ð´ÏÅÍ ½Ã½ºÅÛ°ú ¿¬°áµµ °¡´ÉÇÕ´Ï´Ù. ³×ÀÌƼºê ÀÌ´õ³Ý ÄÁÆ®·ÑÀº ·ëÀº ¹°·Ð ·ëÀ» ¹þ¾î³­ Áö±¸ ¾î´À °÷¿¡¼­µµ ÄÄÇ»ÅÍ, ¾ÆÀÌÆÐµå ¶Ç´Â ¾ÆÀÌÆùÀ» »ç¿ëÇÏ¿© À¯¼± ¶Ç´Â ¹«¼± ³×Æ®¿öÅ©¸¦ ÅëÇØ ¿ø°ÝÁ¶Á¤ÇÒ ¼ö ÀÖ½À´Ï´Ù. µà¾ó AES50 ³×Æ®¿öÅ© Æ÷Æ®´Â KLARK TEKNIK SuperMAC Å×Å©³î·¯Áö°¡ Àû¿ëµÇ¾î ÀÖÀ¸¸ç, ÃÖ´ë 96 °³ÀÇ ÀԷ°ú 96 °³ÀÇ Ãâ·ÂÀ» Â÷ÆäÇü(STP) CAT5 ÄÉÀ̺íÀ» ÅëÇØ Àü¼ÛÇÒ ¼ö ÀÖ½À´Ï´Ù. À̸¦ »ç¿ëÇÏ¸é ½ºÅ×ÀÌÁö ¹Ú½º ¹×M32R¿Í ¿¬°áµÈ ¿©·¯ °³ÀÇ °øÀ¯ ½ÅÈ£ Àüü¿Í ´Ù¸¥ MIDAS, KLARK TEKNIK ¹× AES50 Àåºñ¿Í ¿ø°Ý »ç¿ëÀÌ °¡´ÉÇÕ´Ï´Ù. ¿Âº¸µå ULTRANET´Â 16 ä³Î µðÁöÅÐ ¹Í½º¸¦ Ãß°¡ÀûÀÎ Çϵå¿þ¾î³ª ºñ¿ë ¶Ç´Â ·¹ÀÌÅϽà ¾øÀÌ P16 ÆÛ½º³Î ¸ð´ÏÅÍ ¹Í¼­·Î º¸³»°Ô µË´Ï´Ù. ÀÌ´õ³Ý, USB ¹× MIDI´Â ¸ðµÎ M32¿¡¼­ ±âº»ÀûÀ¸·Î Á¦°øÇÏ´Â ±â´ÉÀÔ´Ï´Ù. ¶ÇÇÑ Ãß°¡ÀûÀ¸·Î »ç¿ëÀÌ °¡´ÉÇÑ ¿É¼Ç ½½·ÔÀÌ Á¦°øµÇ±â ¶§¹®¿¡ M32RÀº ÇöÀç¿Í ¹Ì·¡ÀÇ µðÁöÅÐ ¿Àµð¿À ³×Æ®¿öÅ©¿¡ ´ëÀÀÇÏ°í ÀÖ½À´Ï´Ù. ¶ÇÇÑ USB, FireWire, ADAT, MADI ¹× Audinate Dante¿¡ ÇØ´çÇÏ´Â ¸µÅ© ÇÁ·ÎÅäÄÝÀ» »ç¿ëÇÒ ¼ö ÀÖ´Â È®Àå Ä«µå¸¦ ¿É¼Çµµ »ç¿ëÇÒ ¼ö ÀÖ½À´Ï´Ù.
 
                                                                                                       

Optional Expansion Cards

¤ýDN32-USB¤ýDAW Ready-MIDI Plus Mackie Control* & HUI* Protocols       
¤ýDN32-ADAT¤ýDN32-MADI
¤ýDN32-DANTE¤ýM32 EDITOR (PC and Mac)
¤ýM32 MIX (iPad)¤ýM32 CUE (iPhone and iPod touch)
¤ýM32 CUE (Android)