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ART S8-3Way – Eight Channel Three-Way Mic Splitter
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  S8-3Way – Eight Channel Three-Way Mic Splitter  
                         
 

S8-3Way – Eight Channel Three-Way Mic Splitter


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S8-3WAY​ 8ä³Î 3¹æÇâ ¸¶ÀÌÅ© ½ºÇø®ÅÍ´Â ¸¶ÀÌÅ© ¹× XLR ±ÕÇü ¶óÀÎ ·¹º§ ÀÔ·Â ½ÅÈ£°¡ ¿©·¯ ¹Í½º À§Ä¡·Î À̵¿ÇØ¾ß ÇÏ´Â ¶óÀÌºê »ç¿îµå, ³ìÀ½ ¹× ¹æ¼Û ¾ÖÇø®ÄÉÀ̼ǿ¡ ÀÌ»óÀûÀÔ´Ï´Ù.


°¢ ä³ÎÀº XLR ÀÔ·Â 1°³, XLR Á÷Á¢ Ãâ·Â 1°³, Ãß°¡ º¯¾Ð±â Àý¿¬ XLR Ãâ·Â 2°³¸¦ Á¦°øÇÏ¿© °¢ ´ÜÀÏ ¸¶ÀÌÅ© ÀÔ·Â ½ÅÈ£¿¡¼­ ÃÑ 3°³ÀÇ ¹ë·±½º Ãâ·ÂÀ» Á¦°øÇÕ´Ï´Ù.


ÀϹÝÀûÀÎ ¿ëµµ¿¡´Â ​S8-3WAY​¸¦ ÅëÇØ ¸ÞÀÎ ÇÁ·ÐÆ® ¹Í¼­·Î 8°³ÀÇ Á÷Á¢ ½ÅÈ£¸¦ º¸³»´Â °ÍÀÌ Æ÷ÇԵǸç, Ãß°¡ Çǵå´Â ¸ð´ÏÅÍ ¹Í½º ½ºÅ×À̼ÇÀ¸·Î °¡´Â ¹Ý¸é Æ®·£½ºÆ÷¸Ó ¹ë·±½º Àý¿¬ Çǵå´Â ¿ø°Ý ³ìÀ½ µ¥½ºÅ©·Î Àü¼ÛµÇ°Å³ª ¹æ¼Û¿¡ »ç¿ëµË´Ï´Ù. ¹äÀ» ¸ÔÀÌ´Ù.


ART ​S8-3WAY​´Â Àαâ ÀÖ´Â ART ​S8​¿¡ »ç¿ëµÈ °Í°ú µ¿ÀÏÇÑ °íÇ°Áú À½¾ÇÀû »ç¿îµå Æ®·£½ºÆ÷¸Ó¸¦ °®Ãß°í ÀÖÀ¸¸ç ¼ö³â°£ ¾ÈÁ¤ÀûÀÎ ÀÛµ¿À» À§ÇØ ¼³°èµÈ Ç¥ÁØ 1U °ø°£ ·¢ ÀåÂøÇü °­Ã¶ ¼¨½Ã¿¡ ³»ÀåµÇ¾î ÀÖ½À´Ï´Ù.



Overview

The ​S8-3WAY​ eight channel three way microphone splitter is ideal for live sound, recording and broadcast applications where microphone and XLR balanced line level input signals have to go to multiple mix locations.

Each channel provides one XLR input, one XLR direct output with two additional transformer isolated XLR outputs for a total of 3 balanced outputs from each single microphone input signal.

Typical uses would include sending 8 direct signals through the ​S8-3WAY​ to a main Front-of-house mixer, with additional feeds going to a monitor mix station while transformer balanced isolated feeds are sent to remote recording desk or used for a broadcast feed.

The ART ​S8-3WAY​ features the same high-quality musical sounding transformers used in the popular ART ​S8​, and is housed in a standard 1U space rack-mountable steel chassis designed for years of reliable operation.

Key Features

  • High quality passive interface
  •  
  • Eight high performance transformers
  •  
  • One direct and two transformer isolated output per channel
  •  
  • Balanced XLR input and 3 balanced XLR per channel
  •  
  • Extremely wide frequency response
  •  
  • Extremely low voltage insertion loss
  •  
  • Reversible rack ears for added system flexibility
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  • Live Sound, Permanent/Fixed install, Studio applications

Specifications

Input Impedance> 1.1k ¥Ø @ 1kHz (Typical)
Maximum Input Level-1.4dBu @20Hz / +3.5dBu @30Hz / +9.4dBu @50Hz
Output Impedance<255 ¥Ø @ 1kHz (Typical)
Total Harmonic Distortion<0.1% From 45Hz To 20kHz @ -15Dbu Input
Frequency Response20Hz to 20kHz
CMRR> 105dB @60Hz / Greater Than 80dB @3kHz